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Superman Homepage. Superman Comic Books. The Battle of Europe Within the Pages Of Superman Comics. Author: Wallace Harrington (wwh. I. Introduction. Superman IV: The Quest For Peace is generally regarded as the weakest of the Superman films. However, it asked a question that most every Superman fan has asked at one point or another over the last 6. It suggests that not only can Superman . It also implies that, if Superman had the choice that is what he would do. Perhaps, even a Superman can see that humans have an amazing propensity for squabbling, and actually seek out reasons to go to war. It is far easier to deal with volcanoes erupting and tidal waves than dealing with wars and famine. Comic historians agree that the introduction of Superman in 1. Many of the cast of early characters in Timely/Marvel's line were spawned directly from the war. Such creations of the 1. Captain America, The Human Torch, Sub- Mariner, and the All- Winners Squadron routinely battled the German and Japanese forces as part of the Allied front. With the nation focussed on war, it was surprising that many of DC's characters almost avoided stories of this nature which directly confronted the German and Japanese nations. The obvious exceptions to this were Wonder Woman, who was serving in the Army, and stories from All- Star Comics, where the Justice Society of America (Superman, Batman, Green Lantern, Wonder Woman, etc.) came together to battle for the American Way, and even visited with Franklin Roosevelt from time to time. However, in the long run, that may explain why many of DC's characters survived once the war ended while many of Timely's characters faded away. II. Superman and The War Effort: Superman burst onto the comic scene in 1. Action Comics #1. In that story, Superman traveled to Washington, DC, to confront lobbyist Emil Green and uncover corruption in the U. S. In his second appearance, in Action Comics #2, a more vengeful Superman matched wits with foreign spies, and Emil Norvell, a rich weapons magnate who tried to peddle influence in Washington, D. C regarding the war in the small South American country of San Monte. Superman was so upset with Norvell that not only did he send him packing from America, but he followed him to San Monte and even joined the San Monte army that, in 1. Franco's Spain. In this story, in a bold and daring move, Superman kidnapped the leaders of both armies, took them to a field and told them to finish the war between themselves. Only after they realized that they had forgotten what they were fighting about did the war end. Siegel was also careful not to name the dictator by any identifiable name (such as Hitler, or even Adolf), either. However, the characters he utilized were little more than thinly veiled parodies of the European dictators. In Superman #1. 0 (May- June 1. Dukalia- American Sports Festival. In that story, the Dukalian leader, Karl Wolff, gave a speech saying, . Proof, I tell you, that we Dukalians are superior to any other race or nation. Proof that we are entitled to be the masters of America. This was a claim quickly shattered by Jesse Owens. In fact, until the US actually went to war with Japan, most of the stories in Superman comics that dealt with war used Europe as the backdrop. A notable exception was the story in Action Comics #3. November 1. 94. 0), where Superman fought Zolar, the bloodthirsty head of a band of Arab assassins, in the Sahara desert of Africa. There have been some discussions as to why that was. Many feel that because the publishers of several of the major publishing houses were Jewish, they produced comics which were very sympathetic to the European plight since they still had ties, and even relatives living in these countries. IIa. The Covers of Superman and Action Comics: Obviously, the first thing anyone saw at a newsstand looking for a comic book was the cover. During the early years of comics, the covers did not necessarily have anything to do with any of the stories inside and were used more to attract a person's attention than to advertise the stories inside. Beginning with the cover of Superman #1. Sept 1. 94. 1) Superman began a solid propaganda alliance with American soldiers that continued through 1. That cover showed Superman walking arm in arm with a soldier and a sailor. From that moment on, Superman was shown sinking battle ships, tying cannon barrels into knots, and riding bombs toward . For example, Superman #2. Superman through a German U- boat's periscope swimming angrily toward the submarine after it had sunk a ship. There are also the several Jack Burley covers to Superman that have become famous for their very patriotic images. One of the best examples is the very patriotic image of Superman #1. Jan- Feb 1. 94. 1), showing Superman with an eagle on his arm before the American Shield. This cover was basically re- done for Superman #2. Sept- Oct 1. 94. 3) which showed Superman with a large American flag standing before what appears to be New York City. A modified image of Superman #1. Superman #2. 9, which showed Lois arm- in- arm with an Army soldier, a Navy sailor and Marine and her telling them that, . The cover to Superman #3. This cover appeared near the end of the war (May 1. Red Cross. In that cover, Superman is shown standing on the Earth, holding both Hitler and the Japanese Emperor by the scruff of their necks and giving them a good shake as if that would put sense back into their heads. Such wonderful Superman artists as Joe Shuster, Jack Burnley, Fred Ray and Wayne Boring routinely showed Superman attacking German and Japanese pill- boxes (Action Comics #3. Action Comics #1. Action Comics #2. American soldiers and sailors from imminent danger (Action Comics #1. One of the most famous of these was the cover of Action Comics #6. Burnley, in which Superman delivered supplies and medicines to an American machine- gun squad fighting in the jungles. IIb. Superman Stories: DC needed a plausible plot device to allow Superman, and Clark Kent, to be outside of the draft and remain in Metropolis and not enter World War II, as most men were doing. In an interesting story, Clark Kent was drafted but failed his induction eye- exam, and was declared 4- F (undraftable) when he accidentally used his x- ray vision and read the eye chart in the next room. By and large, the stories inside the comics remained morality plays and confrontations with villains like Luthor, The Prankster, Toyman and the Insect Master, not battles with the German army. Many stories mentioned the war in passing, but the actual number of stories that dealt directly with the war effort was rather small by comparison and initially dealt with petty dictators and terrorists. For example, in Superman #1. July- August 1. 94. Superman battled Rolf Zimba, the head of the Gold Badge Organization, which was a group of terrorists determined to seize control of government beginning by blowing up a suburb of Metropolis. The country was constantly bombarded with news of the war, and the entire economic machinery of the US was focussed on building the war machine. So, stories of Superman battling Luthor were ways for soldiers and those at home to escape reality for a few minutes. However, because the nation was so focussed, it was impossible for DC to ignore it completely and for several issues there was at least one story which used the war as a backdrop. In Superman #2. 2 (May- June 1. Mxyzptlk (Superman #3. Sept 1. 94. 4. This story was about an Imp from another dimension named Ixnayalpay (a Pig- Latin phrase for Nix- Pal or . In this story, Superman helped train troops by participating in war exercises and then congratulates the troops as being . In the pages of Geezer Comics, Geezer fought the Nazi influence in Europe. In response, The German Bund, active in the US at the time, captured the comic artist because he portrayed the Feuher in an improper light. Superman, dressed as Geezer, arrived in the nick of time to save the artist and change his attitudes in the same panel. The story was written by Mort Weisinger directly for the US Military as a piece of war propaganda, and told the story of Clark Kent joining the Army Air Force Technical Training Command on assignment from the Daily Planet. This command was in charge of aerial reconnaissance, target optimization and general repair of bombers. This story helped explain to citizens exactly what this branch of the Army did, and bolstered support for its efforts. Davey Jones, and served as a United States Navy war correspondent for the Daily Planet (Superman #3. May- June 1. 94. 5). Since the Manhattan project, which gave rise to the first two American nuclear weapons, was in full swing in 1. Defense Department wanted nothing tipping off the Germans that America was even considering work on an atomic bomb, not even from a comic book. While the weapon used by Luthor looked nothing like the actual weapon, and was not anywhere near as destructive as the real bomb, government agents came to DC's offices and demanded that the story not be printed until official clearance was given, citing the need for a unified national defense. Obviously, the people at DC were confused, realizing that they must have come up with something more than their normal fantastic story. It ultimately appeared in 1. Action Comics #1. Superman covering an atom bomb test, actually filming it for the Army. It featured a great cover by Wayne Boring and Stan Kaye showing an explosion with the now familiar . The Superman Newspaper Strip: As amazing as it sounds, during the later years of World War II, DC had several other instances where the Defense Department demanded that their stories not appear in print considering them a threat to national defense. In April, 1. 94. 5, Alvin Schwartz wrote a story for the syndicated Superman newspaper strip, which involved the use of an atom smasher, or cyclotron. Hua Zhu, Ph. D : : Department of Surgery : : The Ohio State University : : Columbus, OH. W 1. 2th Ave. Columbus, OH 4. Phone: (6. 14) 2. Email: zhu. 8. 53@osu. Current OSU Appointment. Assistant Professor, Cardiac Surgery. Academic Advising. Get this from a library! Note: Citations are based on reference standards. However, formatting rules can vary widely between applications and. Reviews User-contributed reviews Tags Add tags for '. Similar Items Related Subjects: (5) Di, Long -- Anecdotes. Xinyu Zhou, The Ohio State University. Timothy M., The Ohio State University. Frank Yi, The Ohio State University. Matthew Sermersheim, The Ohio State University. Zehua Bian, The Ohio State University. Jialong Guo, The Ohio State University. Xiaomeng Shi, The Ohio State University. Yanmei Ji, The Ohio State University. Chunlin Yang, The Ohio State University. Responsibility Lu Fusheng zhu bian. Edition Xiu ding ben, di 2 ban. Imprint Shanghai Shi : Shanghai shu hua chu ban she, 2009. Physical description 20 v.; 25 cm. Li Zhang, The Ohio State University. Malith Karunasiri, The Ohio State University. Yuan Xiao, The Ohio State University. Xin Li, The Ohio State University. Yuqi Cui, The Ohio State University. Bo Zhang, The Ohio State University. Jianfeng He, The Ohio State University. Yanhong Luo, The Ohio State University. Yongqiu Zheng, The Ohio State University. Xuefeng Zhou, The Ohio State University. Xiaoyun Xie, The Ohio State University. Chapters in Books. Hua Zhu and Jin- Ming Yang. Edited by Jin- Ming Yang. January 0. Conferences. Zhu,Hua; Fang,Mingzhu; Yang,Chung,S; Pan,Zui. Lin,Pei- Hui; Cai,Chuanxi; Weisleder,Noah; Zhu,Hua; Takeshima,Hiroshi; Ma,Jianjie. Zhu,Hua; Lin,Pei- Hui; De,Gejing; Choi,Kyoung- Han; Takeshima,Hiroshi; Weisleder,Noah; Ma,Jianjie. Orange,Matthew; Lin,Peihui; Zhu,Hua; Weisleder,Noah; Ma,Jianjie. Zhu,Hua; Park,Ki,Ho; Ma,Jianjie. Nishi,Miyuki; Aoyama,Fumiyo; Kisa,Fumihiko; Zhu,Hua; Sun,Mingzhai; Lin,Peihui; Van,Bo; Ma,Jianjie; Sawaguchi,Akira; Takeshima,Hiroshi. Zhu,Hua; Roe,Janet,L; Park,Ki,Ho; Tan,Tao; Lin,Pei- Hui; Ma,Jianjie; Walters,Thomas,J. Liu,Dylan; Cui,Yuqi; Liu,Jason; Narasimhulu,Chandrakala; He,Guanglong; Cowan,Peter; Parthasarathy,Sampath; Zhu,Hua. Liu,Jason; Ma,Hanley; Liu,Dylan; Cui,Yuqi; Parthasarathy,Sampath; Zhu,Hua. Ma,Hanley; Liu,Jason; Bian,Zehua; Cui,Yuqi; Zhou,Xinyu; Zhou,Xuefeng; Zhang,Bo; Adesanya,T,MAyodele; Park,Ki,Ho; Zhu,Hua. Ma,Hanley; Liu,Jason; Bian,Zehua; Cui,Yuqi; Zhou,Xinyu; Zhou,Xuefeng; Zhang,Bo; Adesanya,Timothy,M; Park,Ki,Ho; Zhu,Hua. Jin,Feng; Choi,Kyoung- Han; Ko,Jae- Kyun; Park,Ki- Ho; Cheng,Chao; Yao,Xiaoli; Liu,Zhenguo; Ma,Jianjie; Zhu,Hua. Le Qiao, Zhiyong Xiao, Jiannan Zhao, Long Xiao Regolith thickness over Sinus Iridum: Results from morphology and size-frequency distribution of small impact craters Wenzhe Fa, Tiantian Liu, Menghua Zhu, Junichi Haruyama 1. Long Feng Hua Zhu oyuncular. Degrees. 20. 00. A. A. S., Sichuan University. B. F. A., Chinese Academy of Sciences. Editorial Activities. Journal of Medical and Biological Sciences. Journal of Cell and Animal Biology. Journal of Biology, Biological Systems and Bioinformatics. Journal of Physical and Natural Sciences. Journal of Pharmacy, Pharmacology and Toxicology. Journal of Cell Biology and Genetics. Journal of Toxicology Research. IOMC conference. 20. Journal of Nanomaterials. Acta Oto. Ronald Morris Award for Excellent Research. New Jersey. Journal Articles. Cai,C,X; Zhu,H; Chen,J,W. August 2. 01. 3.): 2. Corona,Benjamin,T; Garg,Koyal; Roe,Janet,L; Zhu,Hua; Park,Ki,Ho; Ma,Jianjie; Walters,Thomas,J. July 2. 01. 4.): 4. Liu,Xin- Yu; Zhou,Xin- Yu; Hou,Jin- cai; Zhu,Hua; Wang,Zhong; Liu,Jian- xun; Zheng,Yong- Qiu. October 2. 01. 5.): 2. Lagan. 2. 0, (June 2.
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A mi me dieron el mar . Que viva el gran amor . Como amantes o bandidos . Manso y tranquilo - Piero/Manzini. Guajira de la unidad - Piero/Jos. Soy paz, soy pan, soy m. Otra vez cambio de casa - Fossati v. Piero. OTRA VEZ CAMBIO DE CASA, DE NUEVO CAMBIAR. QUE MIRA SORPRENDIDO.. C. Vos y yo - Miguel Cantilo/Piero. VOS Y YO.. PODEMOS CAMBIAR EL MUNDOPONIENDO LA MANO FIRME, ALL. DONDE LA VIOLENCIA CONFUNDA. VOS Y YO.. PONIENDO LA ACTIVIDAD DONDE EL OCIO PUDREY EL SENTIMIENTO MI AMOR, EL SENTIMIENTOEN CADA COSA QUE VA.. EL SENTIMIENTOINTENSIDAD DE VIVIR.. ESTAMOS CAMBIANDO EL MUNDOPONIENDO LA FUERZA EN CONTRA, ALL. QUE VENDEN LOS MERCADERESPASANDO PERO SINTIENDO, MI AMOR. VOS Y YO.. ABRIENDO LA PUERTA NUEVA DE OTRA COSTUMBREY EL SENTIMIENTO MI AMOR, EL SENTIMIENTOEN CADA COSA QUE VA.. EL SENTIMIENTOINTENSIDAD DE VIVIR, CADA MOMENTO. LA GENTE VA POR LA CALLETRANSIDA DE SU RUTINASO. Que se vayan ellos - Piero/Jos. BISBASTA DE MUERTE BASTA! BASTA DE MORIR, MORIR, MORIRQUE SE VAYAN ELLOSQUE SE VAYAN ELLOSLOS QUE NO DEJARONNACER Y VIVIRQUE SE VAYAN ELLOSQUE SE VAYAN ELLOSLOS QUE ENCARCELARONLOS QUE TORTURARONLOS QUE TE MATARONQUE SE VAYAN ELLOSQUE SE VAYAN ELLOSLOS QUE TE PROHIBIERONGRITAR LIBERTADAM. Para ser humano - Piero/BB Mu. LA VIDA. VUELVO MI CABEZA, MIRO ATR. LA VIDA. CUANDO LA PALABRA LIBERTADSALE DE LAS BOCAS MENTIROSASDE REPENTE PIERDE SU VALORSE CONFUNDE EL FONDO DE LAS COSAS. ES LA VIDA, .. LA VIDA. PARA SER HUMANO ESTOY AQU. LA VIDA. TODO LO QUE SE HACE CON AMORSE HACE SIN BUSCAR LA RECOMPENSADIOS DECIDIR. IAEUOM - Piero/Prema> . Canto de la ternura - Piero. MI MANO SUAVE ACARICIA TU PECHOTU PIEL SE DESPIERTA Y SALUDAAIRE TEMPLADO, M. Soy pan, soy paz, soy m. La del Uruguay - Piero. PASAN LOS A. POR EL URUGUAY. AMIGOS GENTE MUCHO MATE CALIENTEMUCHO AMOR DE REPENTE COMO LA . POR EL URUGUAY. YO ANDUVE POR R. Lavate loco - Piero. COMO EN LOS CUENTOSCOMO EN LOS CUENTOSDE ACUERDO CON EL TIEMPO. COMO EN LOS CUENTOSCOMO EN LOS CUENTOSDE ACUERDO CON EL TIEMPO. LAVATE LOCO,LAVATE EL COCO. LAVATE LOCO,LAVATE EL COCOQUERETE UN POCO, LIMPIATEPONETE PERFUMEHACETE MASAJESMIRATE AL ESPEJO, TENETE,RESPETATEANIMATE LOCO.. COMO EN LOS CUENTOSCOMO EN LOS CUENTOSDE ACUERDO CON EL TIEMPO. COMO EN LOS CUENTOSCOMO EN LOS CUENTOSDE ACUERDO CON EL TIEMPO.> 5. Y TOSER Y MIRAR, DESCUBRIR Y VOLAR.. Y VOLAR, VOLARA DESCUBRIR QU. Busco una mirada - MIguel Cantilo/Piero. BUSCO UNA MIRADASOSTENIDA.. ENTRE TANTAS CARASREPETIDAS.. OJOS QUE ME MIRENQUE ME VEAN . ENTRE TANTAS CARAS FUGITIVAS. MIRAME,ENTRAME POR LOS OJOS,DALE! LLENAME DE TU IMAGEN,VAMOS! DEJAME DESNUDARTE,CLARO.. CON S. BUSCO LA VIDA.. BUSCO LA VIDA.. BUSCO LA VIDA, LA VIDA, LA VIDA, LA VIDA.. EH!. Serenata del 9. Recopilaci. Iramainl. Juntito a mi coraz. Luna tucumana - Atahualpa Yupanqui. Yo no le canto a la luna. Porque alumbra y nada m. Merceditas - Sixto Pondal R. Tonada del viejo amor - Eduardo Fal. A los bosques yo me interno - D. A. R. A los bosques yo me interno. Pa' consolarme llorando. Y los bosques me contestan. Lo que has hecho est. QUE MIRA SORPRENDIDO.. C. Soy pan, soy paz, soy mas . PERO LO VIOLAN PASANDO LA ESQUINAPASA EL VERDUGO CON SU PICANA Y AL TIEMPO QUE PASA ME MIRA CON GANASPASAN DOS TUERCAS HACIENDO PICADAS SE CRUZA UNA VIEJA Y LA HACEN POMADAPASAN LOS TAXIS Y LOS COLECTIVOS LA SECRETARIA DEL EJECUTIVOUN JUBILADO TANGOS DE ANTES J. L. PASAR Y PASAR..> 7. Llegando llegaste .- Piero/Jos. ENTRE TANTAS CARAS FUGITIVAS. MIRAME,ENTRAME POR LOS OJOS,DALE! LLENAME DE TU IMAGEN,VAMOS! DEJAME DESNUDARTE,CLARO.. CON S. BUSCO LA VIDA.. BUSCO LA VIDA.. BUSCO LA VIDA, LA VIDA, LA VIDA, LA VIDA.. EH!. Y TOSER Y MIRAR, DESCUBRIR Y VOLAR.. Y VOLAR, VOLARA DESCUBRIR QU. A pesar de los pesares . HACIA LA VIDA. A PESAR DE TODO QUIEROQUE LA ESPERANZA NOS UNA EN EL CORAZ. CON LA TIERRA. A PESAR DE TODOA PESAR DE TODOREVOLEO MIS PESARESY MI CUERPO QUE SE INCLINAA TU BOCA MUJER M. QUE ILUMINA SIN PEDIR EXPLICACI. DIOS SOS VOS Y ESA FLOR QUE SE DURMI. NECESITO SIEMPRE IR A LA VERDADDE LA LOCURA A LA PAZ.. DE MI CARNE A LA LIBERTAD.. OJAL. NECESITO PRONTO IR A LO REALDE LA OSCURIDAD A LA LUZ.. DE LA MUERTE A LA INMORTALIDAD.. OJAL. CIELO QUE NOS MIRA SIEMPRE CON PIEDAD.. IGUAL QUE EL SUE. COMO EL MAR AMOR, YO TE REGALAR. NECESITO PRONTO IR A LO REALDE LA OSCURIDAD A LA LUZ.. DE LA MUERTE A LA INMORTALIDAD.. OJAL. QUE LA LUZ HABITA EN EL CORAZ. CON AMOR Y AMOR CON DIOS LO HAREMOS BIENSI AS. ESE AMOR NUNCA TRASPASAR. TRABAJAR Y CONSTRUIR LA LIBERTADPARA VIVIR EN PAZ.. CON AMOR Y DESAPEGO TRABAJAR.. OJAL. NECESITO PRONTO IR A LO REALDE LA OSCURIDAD A LA LUZ.. DE LA MUERTE A LA INMORTALIDAD.. OJAL. MANSO Y TRANQUILOY ARRIBA.. Valdemar el brasilero . La gaviota y el hombre . Y TOSER Y MIRAR, DESCUBRIR Y VOLAR.. Y VOLAR, VOLARA DESCUBRIR QU. Guajira de la unidad . De vez en cuando viene bien dormir . La vida no vale nada . Soy pan, soy paz, soy m. El breve espacio en que no est. Mis hermanos los de abajo . Valdemar el brasilero . QUE MIRA SORPRENDIDO.. C. Soy pan, soy paz, soy m. APRENDIMOS A GRITARMIENTRAS OTROS SE OLVIDARON DE CONTARNOS LA VERDAD. Y VAMOS A NO ASUSTARSE QUE NO LLEG. AY.. ROBERTO ANTONIO AUBERT YA NO RAZONA. COMO UN VOLC. AY.. LOS MONUMENTOS ANUNCIAN LAS DERROTAS. LOS FERVIENTES DISCURSOS LOS ENTIERROS. A QUI. AYVENGO A BUSCAR LA VIDA QUE TE QUEDA. NO ME IMPORTA TU LOCURA O TUS DELIRIOS. SOY TU MADRE, MAMA, MAMITA M. Para el pueblo lo que es del pueblo . ME HICE MUCHO AMIGO. PERO SIGO SIN UN MANGO Y SIGO SIN ENTENDER. COMPA. Argentina Argentinita . MANSO Y TRANQUILOY ARRIBA.. Soy Pan, soy paz, soy mas . Y TOSER Y MIRAR, DESCUBRIR Y VOLAR.. Y VOLAR, VOLARA DESCUBRIR QU. QUE ILUMINA SIN PEDIR EXPLICACI. DIOS SOS VOS Y ESA FLOR QUE SE DURMI. NECESITO SIEMPRE IR A LA VERDADDE LA LOCURA A LA PAZ.. DE MI CARNE A LA LIBERTAD.. OJAL. NECESITO PRONTO IR A LO REALDE LA OSCURIDAD A LA LUZ.. DE LA MUERTE A LA INMORTALIDAD.. OJAL. CIELO QUE NOS MIRA SIEMPRE CON PIEDAD.. IGUAL QUE EL SUE. COMO EL MAR AMOR, YO TE REGALAR. NECESITO PRONTO IR A LO REALDE LA OSCURIDAD A LA LUZ.. DE LA MUERTE A LA INMORTALIDAD.. OJAL. QUE LA LUZ HABITA EN EL CORAZ. CON AMOR Y AMOR CON DIOS LO HAREMOS BIENSI AS. ESE AMOR NUNCA TRASPASAR. TRABAJAR Y CONSTRUIR LA LIBERTADPARA VIVIR EN PAZ.. CON AMOR Y DESAPEGO TRABAJAR.. OJAL. NECESITO PRONTO IR A LO REALDE LA OSCURIDAD A LA LUZ.. DE LA MUERTE A LA INMORTALIDAD.. OJAL. La gaviota y el hombre . BISAHORA TODOS VAMOS A VOLAR SOBRE LAS CALLESQUE LAS VENTANAS SE ABRAN PARA EL MUNDOPORQUE AHORA SOMOS LA VERDAD QUE R. HOY MI AMORHOY AMANECE..> 1. Cielo, cielo, tierra, tierra . Guajira de la unidad . QUE MIRA SORPRENDIDO.. C. Soy pan, soy paz, soy mas . PERO LO VIOLAN PASANDO LA ESQUINAPASA EL VERDUGO CON SU PICANA Y AL TIEMPO QUE PASA ME MIRA CON GANASPASAN DOS TUERCAS HACIENDO PICADAS SE CRUZA UNA VIEJA Y LA HACEN POMADAPASAN LOS TAXIS Y LOS COLECTIVOS LA SECRETARIA DEL EJECUTIVOUN JUBILADO TANGOS DE ANTES J. L. PASAR Y PASAR..> 7. Llegando llegaste .- Piero/Jos. ENTRE TANTAS CARAS FUGITIVAS. MIRAME,ENTRAME POR LOS OJOS,DALE! LLENAME DE TU IMAGEN,VAMOS! DEJAME DESNUDARTE,CLARO.. CON S. BUSCO LA VIDA.. BUSCO LA VIDA.. BUSCO LA VIDA, LA VIDA, LA VIDA, LA VIDA.. EH!. Y TOSER Y MIRAR, DESCUBRIR Y VOLAR.. Y VOLAR, VOLARA DESCUBRIR QU. A pesar de los pesares . HACIA LA VIDA. A PESAR DE TODO QUIEROQUE LA ESPERANZA NOS UNA EN EL CORAZ. CON LA TIERRA. A PESAR DE TODOA PESAR DE TODOREVOLEO MIS PESARESY MI CUERPO QUE SE INCLINAA TU BOCA MUJER M. QUE ILUMINA SIN PEDIR EXPLICACI. DIOS SOS VOS Y ESA FLOR QUE SE DURMI. NECESITO SIEMPRE IR A LA VERDADDE LA LOCURA A LA PAZ.. DE MI CARNE A LA LIBERTAD.. OJAL. NECESITO PRONTO IR A LO REALDE LA OSCURIDAD A LA LUZ.. DE LA MUERTE A LA INMORTALIDAD.. OJAL. CIELO QUE NOS MIRA SIEMPRE CON PIEDAD.. IGUAL QUE EL SUE. COMO EL MAR AMOR, YO TE REGALAR. NECESITO PRONTO IR A LO REALDE LA OSCURIDAD A LA LUZ.. DE LA MUERTE A LA INMORTALIDAD.. OJAL. QUE LA LUZ HABITA EN EL CORAZ. CON AMOR Y AMOR CON DIOS LO HAREMOS BIENSI AS. ESE AMOR NUNCA TRASPASAR. TRABAJAR Y CONSTRUIR LA LIBERTADPARA VIVIR EN PAZ.. CON AMOR Y DESAPEGO TRABAJAR.. OJAL. NECESITO PRONTO IR A LO REALDE LA OSCURIDAD A LA LUZ.. DE LA MUERTE A LA INMORTALIDAD.. OJAL. MANSO Y TRANQUILOY ARRIBA.. Obertura por Chamarrita. En el barrio e'Chamuyeta. Desde el fondo de los d. Chamuyeta presente Cosquilla, cosquilla. Cosquilla en el ombligo. Piruetas y alegr. Conga Mistonga (versi. La salsa papirrusa El que nace de una manera. Nace de esa manera. Y el que no nace de esa manera. Nace de otra manera. No se encandile Cachuso. Con los ruidos y las luces. No es oro lo que reluce. Tal vez no haya mayor ciencia. Que distinguir apariencias. Cuando le salgan al cruce. El que nace.. No se olvide Rantifuso. Del consejo de esta vieja. La carrera es bien pareja. Si usted juega con lo suyo. Pero si quiere imitar. Se va enredar con los yuyos. El que nace.. Vaya ni. Es experta. En renovar pensamientos. Sin ella no hay hombre sabio. Solo palabras al viento. El que nace..> 5. La jungla de los jingles Elefantes: Lleg. Sea el Rey! Todo estar. Un nido de pajaritos. La l. Milonga canchera> 1. Chamuyeta here I come > 1. La soledad de Cachus El Cachuso Rantifuso. Siente una gran soledad. Conga Mistonga (transoce. Valdemar el brasilero . No te vayas por favor . Tierra, tierra, cielo, cielo . Soy un hombre que viene, soy un hombre que va . Yo canto, siempre canto . A pesar de los pesares - Piero/Jos. Rambo, el valiente - Piero/Jos. La guerra del amor - Piero/A. Lerner. Esta es la guerra y es la del amor. La que vamos a ganar nosotros. Es m. Ay, Marilyn - Piero/Jos. Ay Marilyn. Y te fui fiel en silencio sabiendo que otros te amaban y amaban as! Dibujo tu nombre - Piero/Jos. Tu nombre. Sobre la memoria de mis sue. Tu nombre. Sobre la espalda de mi amigo. En las caderas de mi primer delirio. Entre los pechos siempre blancos de mi amada. Dibujo, siempre dibujo.. Tu nombre. Tu nombre en mi nacimiento. Mi bautismo y mi Dios. Es mi mano y las manos de las manos. |
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